
River of Three Crossings
A landscape becomes a place to remember. This photographic travelogue uses journeys through physical places to explore desire, identity and personal history.
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21 works

A landscape becomes a place to remember. This photographic travelogue uses journeys through physical places to explore desire, identity and personal history.

An encounter with Cuba becomes a reflection on masculinity, military culture and homoerotic desire—and on the photographer’s memories of Israel.

Staged photographs return to adolescence in Tel Aviv, giving remembered conflict and constrained emotion a physical setting.

Intimacy and estrangement meet in Soho, London. A photographic series about being a foreigner in a city shaped by migration.
A photographic investigation of the shifting boundary between male social intimacy and homoerotic possibility in army life.

What happens to love when it cannot be named? Queer memory becomes a world of voice, rhythm, masks and image, approached through three distinct listening environments.
Twelve songs follow the changing cost of ordinary words between men. A cinema seat, a coat, a cassette and two coffee mugs become measures of intimacy and permission.
An electro-cabaret turns toward love itself: its definitions, possessions, shame, ageing, rejection and courage.
A sequence of questions moves through existence, selfhood, other minds, agency, memory and mortality. What remains possible when certainty does not arrive?
Feeling becomes a way of knowing. Childhood memory, sensitivity, displacement and unstable love open the Velvet Oracle trilogy.
Relationship rupture becomes a question of emotional inheritance. The second movement asks how pain might be transformed before it reaches another generation.
The final movement listens for truth, home and the possibility of repair after collapse, without pretending that the fracture disappears.
Rhythm becomes a way of paying attention. SOMA brings questions of body, memory and consciousness into a hypnotic electronic setting.
Longing takes shape in the distance between seeing, feeling and touch. A continuous electronic sequence moves through gaze, absence and half-light.
An inward journey through silence, rupture and return loosens the idea of a fixed self.
A passage from waking thought toward sleep, dream and altered return. Repetition carries change rather than restoring an identical beginning.
Distance, suspended touch and unspoken intimacy become an instrumental sequence about the emotional space between bodies.
A filmed memoir of a love affair returns to the tensions between masculinity, militarism and homoerotic desire in Cuba.
Still and moving images fracture a family narrative across a three-channel video installation.
The recovery of seven old negatives opens an investigation into memories from 1982–1987.
An early student film made at the New York Film Academy, recorded in the artist’s moving-image archive.
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